Randroid Ideal

Randroid Ideal

by digby


David Ferguson at Raw Story with the literary event of the century:

For the first time in more than 50 years, publishers are rolling out a new novel by the godmother of libertarianism, the previously unpublished Ideal. The book tells the story of a movie actress who is accused of murder.

Rand wrote the novel in her late 20s, but never published it, although at one point, she did write a stage adaptation, which will be included in the new edition along with the short novel.
[...]

Richard Ralston, publishing manager at the Ayn Rand Institute, stumbled across the unpublished manuscript in 2012 and said that he is very excited to be adding to Rand’s small published canon of works.

“I’ve heard wishful comments over many years from readers wondering if there were other novels in Ayn Rand’s papers,” Ralston told the Wall Street Journal.

Yes, we're all on pins and needles.

But that's not really the literary event of the century. Ferguson's commentary is:

The “objectivist” author’s works — particularly the novels The Fountainhead and Atlas Shrugged — have been held up by pro-business, anti-government zealots as exemplars of political fiction. Her acolytes praise her as one of the greatest minds of the 20th century and have made her, essentially, the patron saint of people who don’t tip.

Literary critics, however, find that the often uneasy mix of political proselytizing and fiction writing produced particularly dismal results in Rand’s typewriter. Her characters have been slammed as one-dimensional and wooden, her plots as flowing like mud, and when her characters aren’t declaiming for seven straight pages about the evils of socialism, the dialogue they speak is about as natural as a bright pink aluminum Christmas tree.

I can hardly wait for his review of "Ideal."

This could be very interesting if it's based on what I think it might be. Rand famously admired a serial killer as the ultimate expression of objectivist manhood and based her male characters on some of his attributes. She was known to have wiritten an unfinished novel about him. I don't know if this is it, but it might be:

Back in the late 1920s, as Ayn Rand was working out her philosophy, she became enthralled by a real-life American serial killer, William Edward Hickman, whose gruesome, sadistic dismemberment of 12-year-old girl named Marion Parker in 1927 shocked the nation. Rand filled her early notebooks with worshipful praise of Hickman. According to biographer Jennifer Burns, author of Goddess of the Market, Rand was so smitten with Hickman that she modeled her first literary creation -- Danny Renahan, the protagonist of her unfinished first novel, The Little Street -- on him.

What did Rand admire so much about Hickman? His sociopathic qualities: "Other people do not exist for him, and he does not see why they should," she wrote, gushing that Hickman had "no regard whatsoever for all that society holds sacred, and with a consciousness all his own. He has the true, innate psychology of a Superman. He can never realize and feel 'other people.'"

This echoes almost word for word Rand's later description of her character Howard Roark, the hero of her novel The Fountainhead: "He was born without the ability to consider others." (The Fountainhead is Supreme Court Justice Clarence Thomas' favorite book -- he even requires his clerks to read it.)

This is the guy she considered "ideal:"

He was the OJ Simpson of his day; his crime, trial and case were nonstop headline grabbers for months.

Hickman, who was only 19 when he was arrested for murder, was the son of a paranoid-schizophrenic mother and grandmother. His schoolmates said that as a kid Hickman liked to strangle cats and snap the necks of chickens for fun -- most of the kids thought he was a budding manic, though the adults gave him good marks for behavior, a typical sign of sociopathic cunning. He enrolled in college but quickly dropped out, and turned to violent crime largely driven by the thrill and arrogance typical of sociopaths: in a brief and wild crime spree that grew increasingly violent, Hickman knocked over dozens of gas stations and drug stores across the Midwest and west to California. Along the way it's believed he strangled a girl in Milwaukee and killed his crime partner's grandfather in Pasadena, tossing his body over a bridge after taking his money. Hickman's partner later told police that Hickman told him how much he'd like to kill and dismember a victim someday -- and that day did come for Hickman.

One afternoon, Hickman drove up to Mount Vernon Junior High school in Los Angeles, telling administrators he'd come to pick up "the Parker girl" -- her father, Perry Parker, was a prominent banker. Hickman didn't know the girl's first name, so when he was asked which of the two Parker twins, he answered, "the younger daughter." Then he corrected himself: "The smaller one."

No one suspected his motives. The school administrator fetched young Marion, and brought her out to Hickman. Marion obediently followed Hickman to his car as she was told, where he promptly kidnapped her. He wrote a ransom note to Marion's father, demanding $1,500 for her return, promising the girl would be left unharmed. Marion was terrified into passivity -- she even waited in the car for Hickman when he went to mail his letter to her father. Hickman's extreme narcissism comes through in his ransom letters, as he refers to himself as a "master mind [sic]" and "not a common crook." Hickman signed his letters "The Fox" because he admired his own cunning: "Fox is my name, very sly you know." And then he threatened: "Get this straight. Your daughter's life hangs by a thread."

Hickman and the girl's father exchanged letters over the next few days as they arranged the terms of the ransom, while Marion obediently followed her captor's demands. She never tried to escape the hotel where he kept her; Hickman even took her to a movie, and she never screamed for help. She remained quiet and still as told when Hickman tied her to the chair -- he didn't even bother gagging her because there was no need to, right up to the gruesome end.

Hickman's last ransom note to Marion's father is where this story reaches its disturbing end. Hickman fills the letter with hurt anger over her father's suggestion that Hickman might deceive him, and "ask you for your $1500 for a lifeless mass of flesh I am base and low but won't stoop to that depth." What Hickman didn't say was that as he wrote the letter, Marion had already been chopped up into several lifeless masses of flesh. Why taunt the father? Why feign outrage? This sort of bizarre taunting was all part of the serial killer's thrill, maximizing his sadistic pleasure. But this was nothing compared to the thrill Hickman got from murdering the helpless 12-year-old Marion Parker. Here is an old newspaper description of the murder, taken from the Pittsburgh Post-Gazette on December 27, 1927:

"It was while I was fixing the blindfold that the urge to murder came upon me," he continued, "and I just couldn't help myself. I got a towel and stepped up behind Marion. Then before she could move, I put it around her neck and twisted it tightly. I held on and she made no outcry except to gurgle. I held on for about two minutes, I guess, and then I let go. When I cut loose the fastenings, she fell to the floor. I knew she was dead. Well, after she was dead I carried her body into the bathroom and undressed her, all but the underwear, and cut a hole in her throat with a pocket knife to let the blood out."
Another newspaper account explained what Hickman did next:

Then he took a pocket knife and cut a hole in her throat. Then he cut off each arm to the elbow. Then he cut her legs off at the knees. He put the limbs in a cabinet. He cut up the body in his room at the Bellevue Arms Apartments. Then he removed the clothing and cut the body through at the waist. He put it on a shelf in the dressing room. He placed a towel in the body to drain the blood. He wrapped up the exposed ends of the arms and waist with paper. He combed back her hair, powdered her face and then with a needle fixed her eyelids. He did this because he realized that he would lose the reward if he did not have the body to produce to her father.

Hickman packed her body, limbs and entrails into a car, and drove to the drop-off point to pick up his ransom; along his way he tossed out wrapped-up limbs and innards scattering them around Los Angeles. When he arrived at the meeting point, Hickman pulled Miriam's [sic] head and torso out of a suitcase and propped her up, her torso wrapped tightly, to look like she was alive--he sewed wires into her eyelids to keep them open, so that she'd appear to be awake and alive. When Miriam's father arrived, Hickman pointed a sawed-off shotgun at him, showed Miriam's head with the eyes sewn open (it would have been hard to see for certain that she was dead), and then took the ransom money and sped away. As he sped away, he threw Miriam's head and torso out of the car, and that's when the father ran up and saw his daughter--and screamed.

This is the "amazing picture" Ayn Rand -- guru to the Republican/Tea Party right-wing -- admired when she wrote in her notebook that Hickman represented "the amazing picture of a man with no regard whatsoever for all that a society holds sacred, and with a consciousness all his own. A man who really stands alone, in action and in soul. Other people do not exist for him, and he does not see why they should."

Read the whole article by Mark Ames to see how Hickman had picked up the same shallow, half-baked Nietzschian philosophy as Rand to justify his actions.

It's hard to believe even Randroids would go for a novel celebrating a serial killer as the ideal man, but you never know. After all, their hero John Galt was based on one.


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